The temple w as built at the beginning of the 19th century. In 1836, it gained a vestibule at the matroneum and a sacristy on the southern side. It is a log construction made of softwood.

It is a Lemko church. The temple consists of the following parts: matroneum, nave, sanctuary, and two sacristies. They adjoin the northern and southern sides of the sanctuary. The matroneum, nave, and sanctuary are covered by a joint metal roof. There is a narrow recess under the main roof where another, lower and narrower tier of the roof begins. Each of the five parts of the temple is topped with a bulbous turret. They are crowned with forged crosses each with two crossbeams. The lowest towers are located above the sacristy.

The matroneum and the nave are built on a square-like plan. The sanctuary is closed on three sides, which means that it is closed from the east with three walls: a straight one and two diagonal ones.

The walls of the church are boarded with vertical planks. The wood has taken on a brown shade.

The southern side of the temple has 5 windows and the northern side 5 They are rounded in their upper part.

In front of the entrance to the temple, there is a wooden bell tower from 1817. It is crowned with a bulbous turret covered with metal.

Josyp Bukowczyk’s polychromes (wall paintings) cover the interior of the entire temple. They were created in 1898. The polychromes that contain elements of Lemko culture are the most noteworthy ones.

On the northern wall of the matroneum, i.e. to the left of the entrance, Bukowczyk made a painting with a signature in the Church Slavonic language: “Jesus, be our guest”. It has the shape of a rectangle (25 centimeters x 60 centimeters). It has a blue and red frame. It shows a room of a Lemko cottage. We can see Jesus with a peasant family: a woman, a man in his prime, an old man, and two girls. They are wearing clothes typical of the Lemkos of that time. The painting captures this scene in a very realistic way. The colors are dimmed, with shades of brown, white, and blue dominating the picture.

They are all standing around a round table and three chairs – the only pieces of furniture in the room. They are in the middle of the room. On the left, we can see Jesus coming to the table. His slim figure is much taller than the others. It is shown in semi-profile. Around his long brown hair, we can see a delicate halo. His gentle face is covered with a short brown beard. Jesus is wearing a long loose blue robe, with his subtle hands emerging from the wide sleeves. He is raising his right hand in a gesture of blessing. We can see his bare foot peeking out from the bottom edge of the robe.

To the left of Jesus, there is a man. He is standing in front of us, leaning towards the guest. He is inviting him to the table with his left hand. He has short brown hair. The man is dressed in a fair linen shirt and a brown jacket, the so-called hunia. He is also wearing nohawky, or pants made of white cloth. In his right hand, the man is clutching a black felt hat (uhersky).

We can also see a woman standing with her back to us, stopped in midturn. She is setting a bowl on the table. Her head is turned towards Jesus. She is wearing a white linen rańtuch, or headscarf covering her shoulders and back. The woman is also wearing a white blouse. Its wide sleeves have creases at the cuffs and at the height of the elbow. She also has a navy blue skirt flowing down to the middle of the calf – the Lemkos called it a kabat. It is heavily creased at the waist. Over the skirt, the woman is wearing a red apron, or zapaska. To the left of the woman, there is a chair.

1. Composition scheme of the arrangement of wall paintings. Compiled by Jarosław Giemza.